Showing posts with label The Delays. Show all posts
Showing posts with label The Delays. Show all posts

Tuesday, January 20, 2009

The Delays' FADED SEASIDE GLAMOUR


I’m not sure if there’s a way to describe my love for the strange Indie pop the Delays produces. It can be soothing and immensely relaxing, energizing, or heartbreaking and introspective.
I was introduced to them after buying the Veronica Mars soundtrack, which had this little gem on it titled “Long Time Coming.” Funny thing: I legitimately thought Greg was a woman until I looked the band up. And realized that there aren’t any women in it. And I still had to look twice to believe it.
So, let’s take a look at Faded Seaside Glamour, their first, most exploratory, and most diverse album.
1. Wanderlust-don’t be jarred by the first few notes, sung in a soaring falsetto. And yes, he’s a guy. “Wanderlust” is an interesting composition for the Delays, mostly because of the steel drums the guitars are classic Delays. The steel drums ain’t. But it all works, and brings a really chilled-out flavor to the music. It’s hypnotic and cathartic.
2. Nearer than Heaven-this is as close as The Delays come to “the charts” on this album. Again, we have the sunny guitars, chorusing falsettos, and generally laid-back atmosphere.
3. Long Time Coming-one of my favorite songs of all time. The siren-like noises at the beginning somehow just capture the seashore for me, the feeling of elegiacal summer days; the lyrics don’t make a whole lot of sense, but it’s so easy to sing to, and Greg’s vocals are gruffer than usual. It’s simply…perfect.
4. Bedroom Scene-definitely a huge shift in tone from the happy guitars of the previous three songs; “Bedroom Scene” is a strange little introspection, dark and moody but without much heavy weight. A looping piano adds to the melancholic atmosphere; this is where the poetry in the band comes out.
5. No Ending-another introspective piece, I feel that “No Ending” is much more successful than the previous track. It switches gracefully from a wistful verse to a building climactic refrain, which teases us before sliding right back into a verse. Strings play an important role here in lending to the sad tone; there is a lovely lush bridge of purely chorus in the middle, too. Some of my favorite lyrics of all time are here in the opening:
I've seen you hanging from blistering skies Holding yourself with a grace that defies
6.
You Wear the Sun-we’re out of sullen waters here. This song is nice, easy listening; in terms of their upbeat songs on this album (which are pretty evenly weighted with their more brooding pieces, a contrast to later albums, where the former far outweigh the latter) “You Wear the Sun” does well. There’s not much to say, although an interesting combination is a cheerful piano tune combined with the usual echoing guitars.
7.
Hey Girl-a little piece of glistening pop, nothing comes off on the album quite as easily and with as much simple pleasure as "Hey Girl" does.
8. There’s Water Here-weird little experimental song. Probably my least favorite on the album.
9. Stay Where You Are-this song is actually a hint of what’s to come on future albums, especially the mean chords at the beginning and “fuck-you” tone, complete with the “spoons in the back room” drug references. It’s a much more cohesive effort, though not the best for this album; it kind of sticks out like a sore thumb. The one problem which is fixed on later albums is the lack of a punch in the chorus.
10. Satellites Lost- the joy in listening to this song comes, for me, in the simple lyrics of the chorus. Seriously. Apart from a really nice, easy guitar line, and some really pretty harmonizing on the chorus, the words are the best part.
11. One Night Away-again, a more cohesive effort for this album. “One Night Away” is still a little meandering and mellow to fully predict what’s to come on You See Colours (their sophomore album), but it’s there.
12. On-obviously the lyrics aren’t the highlight of this song, since they basically consist of one word-the title. But we still get an idea of why the Delays are talented. They can take one word and make it into a good, pulsing, addictive song. Voila!
-elln