Saturday, January 2, 2010

Ringside's RINGSIDE




In 2005 Ringside debuted its self-titled album to minor buzz, but quickly faded out of the limelight. They promised another album in 2007 to arrive the following year, but that never came to fruition. Their debut is a low-fi indie album with an emphasis on clever pop in the vein of a less experimental Eels. It's a largely undiscovered gem aside from two singles which received modest play in commercials and such, but it's easy listening for those of us who are suckers for well-crafted pop.

The album opens with "Struggle," arguably the catchiest song on the whole thing, and a laid-back version of Eels meets Grand National. It's a very polished piece of light-weight, smooth pop; if you get anything from this album, get this smoky, cool, seductive song. "Cold on Me" flirts with a jazz/blues background, while "Trixie" is a solid if forgettable album addition. "Miss You" is as downer as the album gets, and while the lyrics are far from sophisticated, the tune carries the song (this is the case for much of the album), and it's almost reminiscent of Coldplay without the lush sound. "Dreambat 730" is a pleasant surprise and one of the album's strongest offerings, though the rhyming walks the fine line between immature and intelligent. It does proffer the album's most provocative lyrics if only for their nonsensical qualities, particularly in the second verse where Scott Thomas tackles masochistic love: "I think I need my spine cracked/break my back/come on, baby, take me back/pinch me, lynch me, hang me from old hickory/sing your sings of peace and love/come on, baby, beat me up/oh, now, don't worry/I like it when you hurt me."
"Sleep Well, Jeff" is catchy enough, while "Talk to Me" is probably the sleekest, smoothest track on the album. "Raining Next Door" is another song with subpar lyrics but with a solid enough hook to make it another quality track. "Criminal" demonstrates that Ringside should probably stick to the catchy, shallow indie beats instead of ballads-turned-cheesy like this one. One moment it pulls at the heartstrings and the next it's easy to be scornful at Thomas' attempted soul-baring.
"Jackie" is a better effort than the earlier, sounding even a bit Mellencampy aside from the synth effects. Unfortunately, all the titles on the album tracks are abysmal.
Ultimately, the electronica keeps the listener at arm's length, but you're still gonna be admiring across the distance. This isn't the best thing since sliced bread, but in spite of its lyrical mediocrity and lack of experimentation, smart melodies and insanely addictive electronic production make it a diamond in the rough. For lovers of Eels, Grand National, Hard-Fi, and RJD2.

Verdict: Unimaginative on the lyrical end, Ringside's negative aspects are outweighed by catchy beats and immaculate production.

-elln

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